Monthly Archives: March 2019


Prof. Anna M. Bordin Department of Research, Conservatory Paganini of Genoa, Italy IZVORNI ZNANSTVENI RAD / ORIGINAL SCIENTIFIC ARTICLE UDK 376–‐056.45:78>(450)(083.9)   WHAT SCHOOLING FOR ENFANTS PRODIGES? Abstract The role of pedagogical knowledge in music comes spectacularly to the fore in training courses for highly gifted children. We analyzed the theoretical assumptions and the organizational […]

Ignored Feelings

The Feminine Universe in the Art and in Music   Saturday 8 – Sunday 9 March 2014 Pavia, various locations   From sensibility emanate artistic creation and scientific intuition – explains Anna Maria Bordin, creator of the event. It is the basis of all kinds of coexistence between individuals within society and is defined by the ability to perceive through the senses. It […]

Music language and the restorative approach

Anna Maria Bordin Conservatory “Niccolò Paganini” of Genoa (Italy)   Grazia Mannozzi University of Insubria (Italy)   Music language and the restorative approach “The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems and spoils; The motions of his spirit are dull as […]

9th European Congress of musical analysis

June 28, 2017 to June 30, 2017 Patio, Strasbourg University of Strasbourg-GREAM Performance and analysis : an empirical research on the interactions between analysts and performers M. Mario Baroni – University of Bologna Mme Anna Maria Bordin – Conservatory Paganini of Genoa M. Antonio Grande – Conservatory of Como M. Luca Marconi – Conservatory of Pescara M. Egidio Pozzi – […]

Musical Season ERREPOMERIGGI 2017 – 2018

ERREMUSICA Music, Art and Culture Association Musical Season ERREPOMERIGGI 2017 – 2018 Martedì 13 Marzo 2018, ore 17:00 Tuesday 13 March 2018, Hours 17:00 Music library Alfredo Della Corte, Tesoriera House, Corso Francia n. 186, Torino (Italy) Dedicated to Peggy Guggenheim For piano duo and Narrator Anna Maria Bordin pianofo Paola Barbieri piano Marta Brambati narrator Music of E. Satie, M. Milhaud, D. Bass

Alessandro Marchetti 

Alessandro Marchetti was born in Pavia in 1998 and begins very soon to devote himself to the piano. After attending for a short period of time the Civic School of the city of origin,began the regular courses at the Conservatory of Pavia, where he graduated in 2014 to 16 years, as pupil of M °Anna Maria Bordin, with the vote of 10/10, praise and honorable mention. The professors that played an important role in his training are Franco Scala, Riccardo Risaliti and Andrea Lucchesini. During his formative years he participated in some piano competitions and won in 2008, at the J. S. Bach Contest in Sestri Levante, the first prize and the “Bach Prize”, attributed for the best performance of a Bachian piece. In 2014 he won the “Premio Venezia”, which marked the beginning of an intense concert activity in prestigious Italian and European contexts.  

Analytical Aspects in Children’s Performance of Music from Memory

Published: 28-12-2017 Format: Hardback Edition: 1st Extent: 288 ISBN: 9781474284714 Imprint: Methuen Drama Series: Performance and Science: Interdisciplinary Dialogues Illustrations: 15 bw illus Dimensions: 216 x 138 mm   This international collection brings together scientists, scholars and artist-researchers to explore the cognition of memory through the performing arts and examine artistic strategies that target cognitive […]

Gabriele Naretto performs at the Quirinale – World Day for Awareness of Autism

ROME, 30 March 2016 Gabriele Naretto was born in Turin in 1991. Since very young, he has learned to express himself  with music. At the age of eight he began to study piano in Turin with Anna Maria Bordin, professor of the Conservatory of Pavia,who designed and implemented an experimental course thanks to which Gabriele reached the diploma in 2013. Since he was ten years old, he has stated to perform in concert with a choice of repertoire that approaches the classical music of the twentieth century, in particular the American one, with commitments ranging from the solistic recital, to the performance with actors in thetheatre and the Chamber music.